Wednesday, December 23, 2009

Review: The Fringes - The Fringes



By now it's obvious that certain styles of music are making a pretty strong comeback. In rock, classic influences, like Led Zeppelin and Hendrix, are currently running rampant, however subtle or obvious they may be. L.A. native band The Fringes, with their recent self-titled debut, successfully manage to relay their own take on both retro and modern styles without coming off as a rip off.
 
The album kicks off with “The Spot”, a track seemingly straight out of the 70's funk scene. It's got a nicely catchy hook, but never skimps on the instrumental talent. The wah guitar and saxophone create an unmistakable attitude for this incredible danceable track...

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Saturday, December 19, 2009

Review: Super 400 - Sweet Fist

Ask most modern rock fans if they've heard of Super 400, and most likely, unless they’re fairly knowledgeable about bands local to the state of New York, they’ll say no. Which is a shame, actually, because they’re a band deserving of recognition. Recognition that they may have received, had they not been dropped when Island Records was bought out. They continued to thrive, in any case, and with their fourth studio “Sweet Fist”, they’re active now more than ever.

Super 400’s music can be described as blues-rock with a distinct, hard edge. And with influences like Led Zeppelin and Cream, you shouldn’t expect anything less. “Sweet Fist” is an excellent cut of tracks that clearly establish what this band is all about, literally from the word go, with the opening track “Needle Down”...


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Wednesday, December 9, 2009

Review: Rush - Working Men


I love Rush. I really do. They're the only band of their distinct brand of progressive rock. Unique in their own right, it would seem, up until now, that any release by Rush would at least hold some merit. But upon listening to Working Men, the new live release from the trio, I'm not so sure.
 
Musically speaking, every recording featured on Working Men is absolutely on point. From the excellent opening with “Limelight” to the incredible closing “YYZ”, not a lot can be said other than Rush know exactly what they're doing. Geddy Lee never falters in any respect, Neil Peart continues to prove exactly why he is one of the most revered drummers on the planet, and Alex Lifeson's work still gives me a reason to believe that he is one of the most underrated guitarists today. It would seem that they actually improve as they age, a characteristic only few bands can really claim.
 
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Tuesday, December 8, 2009

Review: The Arkitecht - Hyperstructure

The Arkitecht is an interesting take on metal music. A “one man band” type project, put together by Genaro Ochoa, it was created to prove that musicians do not have to be dependent upon other musicians, to create the typical “band” sound and feel. A difficult undertaking in itself, The Arkitecht has released one album to date, Hyperstructure. With this release, does he achieve the desired effect? In a word-absolutely.
 
The term “one man band” used in this context is misleading, however. It would be difficult for one person to take all the responsibilities of creating an album, and even then, you wouldn't be able to guarantee its quality. In Hyperstructure, Ochoa did, in fact, write and produce all songs on the albums, as well as play rhythm guitars, keyboards, some guitar solos, bass, and do the drum programming. He was also in charge of art direction for the album, which I might add is some of the most abstract, fascinating album art I’ve ever seen. But, understandably, even one with the best ideas may not have the technical ability to make those ideas happen...

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Friday, December 4, 2009

Review: Ruder Than You - Creation Sounds

Ruder Than You is the unsung epitome of modern ska. Although a popular the most popular subgenre of third wave ska is ska-punk, Ruder Than You has avoided this kind of exclusivity. Obviously taking some influence from punk, they also have derived their sound from the more traditional dancehall, rocksteady, and even hip hop, funk, and jazz, although they are most known for their unique cover of Black Sabbath’s “Paranoid.” And with Creation Sounds, their most recent, admittedly off the radar, release, all these elements are as prevalent as ever.


Creation Sounds begins with the instrumental “pRaise HaVoC.” I found this to be an interesting placement for an instrumental track, as they normally come later in an album. It’s actually a clever move, considering instrumentals placed later are more likely to be overlooked, or even passed off as filler...

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Tuesday, December 1, 2009

Review: The Flaming Lips - Embryonic


The Flaming Lips have never been conventional. They've always been doing something different or unusual, and besides a phenomenal live show, they're known best for their experimental approach to modern rock. With Embryonic, their most recent release, they continue to deliver new and eccentric sounds that are sure to surprise even the most fanatical of fans.

Embryonic is the twelfth studio release, and the first double album, by the The Flaming Lips. It features some already relatively well known guest musicians, and tends to differ from the most recent previous efforts, in the respect that it's much less polished, and features a much grittier, raw sound, production-wise...

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